Thinking back to that “person who blabbed about the binding spell” incident… Timing can be everything. Certain phases of the Moon, and certain seasons in the cycle of the Sun through the Wheel of the Year, will empower or scupper your spellwork. If you’re the sort who puts a lot of stock in Mercury retrograde, then you’d never consider working a binding or curse during that period because the very condition of Mercury retrograde makes things rebound on their sender, or just go wonky and hare off in the opposite direction from what’s intended.
Inspired by a post on a FB witchery group…
Pro Witch Tip #374: If you do a binding spell on somebody (wrap photo around a stone, cast into a river, etc), you DO NOT GO AROUND TELLING EVERYBODY YOU KNOW, so that word eventually gets back to your target. Especially when your target has witch friends of their own.
That’s a sure way to get an “uncrossing and return to sender” spell fired right back at you. Probably with a lot of extra spin to make it hurt even worse (and a clause in there taking advantage of the fact that you’re blabbing about what you did).
Plus they KNOW where you cast the stone into the river, so they can go right there and perform the uncrossing/return to sender spell on the very spot, or damned close to it.
Found on a FB writers group:
(And that’s all I’m up for today, folks. I’m working like mad on two freelance commercial art jobs, so it’s comics comics comics aaaaaaallllll the way down!)
As a diabetic, I can attest that a LOT of blood can come out of a fairly small cut in one’s finger. One day when we were subcutaneously hydrating our cat (liver failure treatment), I accidentally nicked myself with the ultra-sharp lancet. BLOOD EVERYWHERE, DUDES.
Having read the article linked below (about the advantages of editing while writing your first draft), I can see the points the writer is trying to make. But — and it’s a big “but” — the writer seems to be speaking entirely to pantsers, not to plotters. A plotter, by laying in the foundation and basic structure of their house in the pre-writing phase, can then power ahead on the first draft without editing as they go, because (in a sense) they’ve already done the developmental editing in the plotting phase.
I stand by the statement I’ve made many times before: personally, as a plotter when it comes to my novels, I find that trying to edit as I write my first draft only slows me down to a crawl, and I’ve seen a LOT of beginning writers choke and stall when they try to edit while first drafting. But every writer is different and there are certainly writers out there for whom the article below constitutes excellent advice. 🙂